Village Scene and Breakdown Printing

I am going a little stir crazy as it does not seem to have stopped raining for months now- yes we did have a couple of good days this week, but I did a lot of catch up washing as we have no dryer at our present house and there is no point buying one now seeing we pack everything away late November. I also can't do any dyeing as I do it outside, or much printing either as I also do that outside.

I have been doing a lot of hand stitching- but progress is slow so very little to show for what takes up a fair bit of time. The other day whilst crusing blogs I saw mention of using water colour pencils and breakdown printing. I think I simply read about it on Gloria Hansen's blogpost about the wet studio at Festival of Quilts at Birmingham- but immediately a little light went on. When we were in New Zealand earlier this year I bought some Derwent Inktense pencils and fabric medium to play around with on fabric whilst we were travelling around. Then I remembered I had bought some water colour crayons ages ago- not sure why, I think they may have beckoned to me, although I also remember going through a coloured stage in my journal a couple of years ago. So I thought if I can do a rubbing with transfer crayons then I must be able to use the same process to transfer with water colour crayons.

I found an old silk screen I had in the shed ( which isn't terribly useful for breakdown printing as it has holes in the bottom- I need to buy some new mesh)I put my village linocut underneath the screen mesh and rubbed it with a black water colour crayon. I then coloured in the bits that weren't black with the other crayons. I have to say the space where I printed was far from ideal- there were bumps in the surface ( which you can see on the resulting print) and I only had a tiny amount of Extender print base ( the emulsion that printing ink pigments are suspended in). I was really blown away by the resulting colour and neatness of the print- and even the greyed second print has a certain amount of charm- I couldn't do any more prints because I ran out of the extender base (will have to buy some more now that Kraftkolour is up and running again). The greying of the print could have been avoided by using fresh extender base with each pass of the squeegy ( and I seem to have lost my larger squeegy- so much of my stuff is all over the place because I have no set base to work)

Anyway i can see myself doing more of these!- and needing some more water colour crayons.

Arabian Nights Village

For Sale ( measures approx 30 cm square ) $75 US inclusive of postage

The first image is of a print I have made on evolon. I rubbed fabric transfer crayons on paper over my village linocut and then painted the paper with transfer paint. The resulting print was quite soft- that is the image wasn't clearly distinguishable though there was a pleasant patina of the orange coming through. I then decided to stitch it after all ( I wasn't going to as I thought the print not distinct enough). I firstly stitched around the village components in orange but this wasn't contrasty enough so I ended up stitching around with the 12 weight rayon Ihave been trialling for Aurifil Threads. I then decided to darken the background elements- it looks very arabian now with those colours!

I am teaching transfer dyeing and printing at Sew Bright Quilting in Bright north eastern Victoria on Saturday Septemeber the 12th in case anyone in that area is interested.

If you are interested in an on-line lino-cutting course- just email me- the next course commences on September 21. If you are worried that your english is not good enough don't worry ( plus I can speak dutch, some french, some german and some italian)- I put a lot of images in my lessons so people can clearly see what is required

Last Lino-cutting On-Line Course for the Year

Thank you for the very supportive comments regarding my previous post- yes it is partly angst, and the fine balance of creating and getting your work out there. I just get enticed by glossy magazines and forget that their main game is to sell magazines and disseminate information.

The images are part of a page from a book entitled "Historic Textile Fabrics" by Richard Glazier published by B.T.Batsford, London sometime during the first World War.This particular textile was said to be a Persian Silk Brocade from the XVII Century- isn't it marvellous?? The next image is my attempt to make a linocut of a protion of the textile and it is taking quite a lot of cutting- I think I need to get better tools- perhaps once i move to France!

It is less than three months before we move- so I am having to do quite a bit of planning as to how to pack things away and what I will need to take with me- granted I cannot take much with me as I also have to take the My PLace quilts which take up a whole suitcase.

As I looked at dates and as I do have a wait list for my next on-line linocutting course I decided I needed to start the next course on 21 September 2009 so that participants have time to finish exercises whilst I still have regular internet access. I expect that will be disrupted until we settle down in February of 2010- there is a lot of running around to do!

The course consists of three fortnightly lessons delivered as a pdf document which entails a number of exercises- building from relatively simple marks, learning to know your tools, to more complex designs and interpreting photos and drawings and coloured printing in the last lesson. I set up a Yahoo group so you can share photos and so we can also discuss and troubleshoot- there is always different things that come up. I have also set up a blog to which participants will have continuing access- which will be a resource of linocutting in its variations- looking at different artists and different applications. The cost is a one off fee of $30US. If you are interested just email me. Payment can be made via Paypal if in Australia via bank deposit or cheque.

Creative Scrap Heap

I came across some articles in Handeye Magazine which set me to procrastination, and feelings of inadequacy- I am not good at marketing, I do hone my skills but to what end, to make a barely sustainable living?

From an article entitled Rites of Spring from Handeye Magazine Li Edelkoort comments on the global consumer economy: “The world is now a market, governed by mega-mergers and mega-brands. Suddenly, almost naturally, men and women are looking again at handmade, man-mastered, artisan arts, as a refuge from mega-monotony. In terms of economy, employment strategies, and social development, we believe that quality arts and crafts will have a very important revival.”
There is room in this world for broader thinking about societies near and far, and for what products are needed by makers and consumers alike. Just ask any Parisian wearing handmade indigo."

LI Edelkoort has a airy light studio in Paris, is a trendsetter and forecaster in trends and colour.

And from another article:Madeline Weinrib's Own Voice and interview with Madeleine Wienrib
MW: Find ways to understand the aesthetic of the market you want to enter. There are real differences in what people perceive and appreciate. The challenge for artisans is to see what people who are not artisans and who live in another culture will value highly enough to purchase. “How do I make what I do seem beautiful to these customers at this moment in time?” Linking with designers can be a big help, as they are, on a visual level, professional translators.

I like to work in isolation, but when all the other aspects of your life fall away as in divorce and the dismantling of a dream, that isolation can of itself be a shackle, because there is nowhere to turn. The isolation also makes it difficult to market yourself-I am not part of any mainstream let alone any stream in art textile or design sense. Yes I make and I do exhibit, but it all seems to be in a vacumm- what strategies do I have to market what I make- because I do have to sell in order to make a living.I do aspire to make beautiful things or at least decorative things, but I know very little of the market place in terms of trends or forecasts- should I know more?If I did, how would it influence what I make- is this just a bad dose of angst? So the photo is a little of how I feel- a heap of scraps that once emerged at the behest of a creative urge that suddenly lost its impetus.....

More Circles

I am intrigued by the landscape from above- it is so different to the normal landscape one normally thinks of- you have to take imaginative leaps with the landscape from above. One of the strangest landscapes i have encountered from abocve is a small part of western Australia in the south, as the flight path heads towards the great Australian Bight. The plane has reached it's cruising altitude and the landscape is dotted by what appear to by water pools- in the weirdest colours- lots of turquoise and terracotta and yellow. This little piece is inspired from what I remember seeing from above.

And I have finally done it- creatd an album on my Picture Trail site detailing all recent work which is for sale. I would love it if you feel inclined to comment, and I am prepared to consider all reasonable offers.. I will also be adding to it periodically. There are also albums there of earlier work.

Concours Carrefour Europeen du Patchwork

Another Teapot and Rosewater jug FOR SALE $45 US inclusive of postage.



I posted off my quilt "Tracks Across the Land" to the Carrefour Europeen du Patchwork yesterday- I am only showing a close-up shot at this stage as the Patchwork meeting does not commence until 17 September- wish I could go!Oh well. I need to get creative- have some ideas for more waterways quilts- but the weather has been so bad I can't get outside to do any dyeing or transfer painting.

Another Teapot

 

For Sale $45 US including postage.

I forgot tomention in The Wattlepoint post that if you click on the image a large image will come up.

And I wanted to share two projects that two friends in different parts of the world are involved with that will help disadvantaged and poor people. You can also help!!

The first project is being planned by Laura Liebenberg from Belgium in conjunction with the city of Essen called Colours of Africa , to create an installation of A4 quiltlets to be auctioned at a textile event in Essen in 2010 to help raise money to create a safe play centre for children living in a shanty town in South Africa. The deadline is 1 December 2009- so please if you have the time use colour as your inspiration to send a small quiltlet ( A4) size to help build an installation to help children have a safer place to learn and play .

The other project is called Iraqi Bundles of Love- and has been organised by Kristin la Flamme's husband-he was stationed in Iraq- and as a way of leaving more behind than war memories, he is co-ordinating a project to help women in Iraq have parcels of fabric and sewing notions to make things with- and the project has now expanded to include knitting.So if you ar ein anyway inclined to help with this project check out the blog for the project- it is a very worthwile project to help women be able to make things (maybe we should send such bundles to the pollies as well- help them understand that building bridges is more important than destruction)

Weekend Teaching

I am back from teaching at Wattlepoint- such a lovely spot. I had a great bunch of people to teach- really enthusiastic and fun, the venue was wonderful- the windows of our work area looked straight out into the bush with lots of banksias and native grasses and the odd kangaroo or two, and the units in which we were accommodated were also lovely ( I had one all to myself- wonderful and relaxing)- with rosellas demanding their nightly feed of seeds kindly left by the owners of the park. A small walk and you looked out on a little jetty and water. I could have stayed a week! And it was beautiful and sunny so we were able to do a lot of the dyeing and transfer printing outside.

Now onto the serious business of sewing up a storm adding some extra stitched onto my Concours piece for Ste Marie aux Mines before sending it off tomorrow and working on the Caravanserai book, I have been lagging behinfd in writing the text- when it actually comes to putting pen to paper- I get this awful feeling of what do I have to say?? I have written the intro and the first 8 pages so that is a start but....gaping emptinesss....

Boabab Tree

FOR SALE 12 inches x 16 inches ( 30 cm x 40 cm) $120US SOLD

Thank you for the advice regarding the formal dress- it is almost finished- just have a few tweeks and straps to attach and then the hem.... I could not use the starch method as the silk water marks. I ended up hand basting everything. I will be so glad when the dress is finished!!

I have to drive to the other side of Victoria tomorrow to teach Saturday and Suday- so I don't even get to see my daughter all dressed up. I will be teaching at Wattlepoint. I am still on a mission to get to Syria- but unfortunately it had to take a backseat in order to get the dress done.When you count the cost of the fabric and my time, it probably would have been better to buy the dress as it took up a lot of my week. The boabab tree is printed on lutradur and stitched by machine.

Extreme Conditions

FOR SALE Click on the photo and you will get a much larger photo.

I am making my daughters formal dress- why do I do this???? It's all cut on the bias and one of the seams that should sit straight isn't sitting straight- but because of the bias cutting it's creating a nightmare- it's in a satiny silk ( quite light weight) so it's slipping sliding everywhere and I have already spent way more time than I can afford on it- any suggestions?????

I don't think I ever posted a pic of the completed Extreme Conditions quilt that I made for A Change in the Weather Exhibition- it recently came back from New Zealand. Not sure what I sahll do with it now- it's entirely hand stitched, because that was when my machine was playing up- it is for sale but the price is high because of all the hand work. Because the piece is long it's really difficult to get a good photo.

And this is my 900th post- I am also getting close to 250,000 visitors. I know the Neoworks counter shows a different number but I put on Sitemeter earlier than Neoworks and it is sitemeter that is getting close to 250,000 visitors.

Experimenting

 

I have been playing aroud with some different kinds of stitching- machine and hand for the waterways series I intend to make. The last lot is colonial knots- they are easier than french knots- and less likely to not knot properly, and done densely really give an interesting texture- and its another variation on a dot ( and yes I do read Jude's blog- but I have also had a long standing love affair with dots and circles- they have occurred in my work throughout).

Went to see Kavisha Mazella last night- very inspirational and upbeat. I love how she weaves her stories around the music and uses her cultural background to add humour, depth and diversity to her music- I was very much reminded of story cloth- in all reality and charmed.

Dilemna

Quiltet 1 is SOLD Quiltlet 3 is Sold

Each Piece is For Sale $45 US inclusive of postage


As I have said we have been working on a book entitled Caravanserai for my daughters VCD folio- for her final exams. Last week we went to open day at RMIT- and we were really enthused by the Visual Communication course - it seems right up her alley- it requires a really good folio to get in. My daughter is designing the book and layout- I am providing the text, photos and textile works which will form the basis of the book- looking at our Syrian encounters and how they have inspired my textile work. We have hit a snag however - we have done a few runs of getting books printed but my photos are probably not of sufficient resolution to do my daughters hard work justice or to meet her hopes of submitting the best possible folio.

So it puts us in a real dilemna- the go with what we have or go to Syria and rephotograph. There are a few problems- I have to renew my passport ( least of the problems), I have a very small window of opportunity as she will obviously need the school holidays to work on the project so that we can get it printed in time- so I need to go early in September, but the biggest issue is budget. I manage to survive at what I do by living on a very tight budget, that is fine I have been doing that since 1995 and it is part of daily life, but the cost of going to Syria would be outside my budget. One thought that occurred to me is I could work like the blazers and make more Teapot and Rosewater jug pieces ( the sales of the last two days have encouraged me in this thought) and hope to sell them. I think the price is very reasonable as there is quite some process involved in making them- papers have to be painted then printed, then transferred to lutradur, background fabric needs to be dyed, then the whole is stitched and then satin stitched bound.

Of course I won't mind going to Syria- but it would be for four days only madly running around photographing- but I also want my daughters folio to be the best that it can be. What would you do?

So dear readers would you be willing to put up your hand for a Teapot and Rosewater Jug embroidery quiltlet - no payment until the piece is complete? And as I said I would work like the blazers to get them done- but it would be good to have some idea of numbers before I commit to an airfare. Of course I am also willing to entertain any reasonable offer on work I have for sale and will later today or tomorrow load a new page on my Picturetrail website. Feedback would be appreciated!

And Another teapot!

 

SOLD

This one is for sale also- $45 US- it measures 8 inches square.

I have been trying to sew but being a single parent and living 22 kms out of town makes me the only taxi- so a lot of my time gets eaten as taxi service!And I am supposed to be writing proposals as well as My Place will be shown in the Colac Entertainment Centre- which is really exciting. I will also be teaching on the weekend. The exhibition will be on from 30 October to 1 November- so if you are in Australia and Victoria put it in your diary!

Tomorrow is another day- hopefully fuller of creation!

Back to Teapots

SOLD

SOLD

For Sale $45 US each inclusive of postage


My daughter and I have been working on the Caravanserai book- which she is designing for part of her VCD assessment. It means I have to write the text to go with the images, so it started me thinking about my Teapots and Rosewater jugs again. When I take a break from writing the text I have been running up a few more of these small pieces, as I really need to sell some work as well. I haven't had any of these for sale for quite awhile. They measure approximately 8 inches square ( 20 cms square )

Arts & Craft- Averil M. Burleigh

I went to my shed today to find some papers for book making and happened across this old magazine called The Studio which I had stuck away- it is dated from April 15 1913, and is in slightly tattered condition. I also have been doing some research on the Arts & Craft Movement ( in preparations for the Creative Arts Safari tour in England, Belgium and Paris next year) and long and behold I stumbled across these lovely illustrations by Averil M Burleigh. The accompanying article qoutes the late Sir George Reid, member and president of the Royal Scottish Academy as saying womens' art as being "deplorable" and "they appear" he is reported to have said " to be the work of young ladies who have nothing to do and who therefore 'paint a little' without having the faintest notion of drawing or colouring. They are all anxious to have their pictures exhibited, but they have no idea of working honestly and hard in order to produce good work" The article goes on to say " it cannot be denied that there was and still is a great deal of truth in this criticism, even if we allow that it may have been tinged with a little (?????) masculine bias and possibly a general lack of symphathy with feminine work at large." It was also observed that parents often had their daughters taught drawing and painting whilst boys were given no such instruction and that indeed a lot of boys had enbarked upon artistic careers in the face of stern parental opposition. Hmmm- what do I really think about all this???? were women perhaps better trained then men?

The line drawing is entitled "All in a Garden Fair" and the coloured drawing is entitled "A Stately Measure"

Colours of My Country

 

I am realy happy- the quilt I made for Colours of My Country for the Concours at carrefour Europeen du Patchwork has been juried into the exhibition, so even if I am not at Ste Marie aux Mines this year at least one of my quilts will be! I will be interested to see what other work was entered , as the theme,which required you to use the colours of the flag of the country you had chosen was not easy.In the end I only used the colours of the Australian flag with a minor variation as I used variegated thread.I am still considering adding more hand stitching.

This is another little owl I have made for the fabric swatch book I am making- same colour lutradur background, but rubbed with green crayon-it looks so different to the owl in the previous post. Again big postcard size.

The meeting with Fiona Wright from Creative Arts Safaris was fun- it was a beautiful sunny day so we sat in the Botanic gardens and brainstormed and then went to tne NSW Art Gallery. Saw a couple of exhibitions one; Intensely Dutch, which showcased dutch art from the postwar years- not a single woman amongst the artists however.....which is very disappointing. I enjoyed seeing Corneille's work and also the artists books- where artists had combined with poets to create artists books. I also encountered the work of Judy Watson- in the indigenous section downstairs- this work was wonderful and thought provoking and I could not resist a book of her work entitled Blood Language.A Chapter of her book entitled Water has been produced as a pdf file by Miegunyah Press.

So with some creative fuel in the sails- I am set to continue my waterways series as a way of marrying memory culture and environment-and perhaps morphing that into a presence.

And please don't forget to go look at Creative Arts Safaris- Fiona and i will be leading a trip into the rich depths and layers of Syria and in particular its rich textile history which the last century has eroded at an alarming rate. Hopefully we will be inspiring you to create little memory pieces to create a true travellers book ,not merely of photos but of tangible tactile objects, whilst visiting some of the archeogical treasures of Syria. Then in August we will be doing another tour commencing at The Festival of Quilts in Birmingham going on to exploring the Arts & Craft Movement, by observation and exploration , visiting London and the Iconic Victoria and Albert Museum and the William Morris Museum, going onto the Venice of the North- Brughes ( Brugge) and exploring tis rich lace making history. onto Paris and the wonderful world of Qaui Branly and the Cluny and the stunning medieval Lady and the Unicorn Tapestries. If you are at all interested register your iterest at the Creative Arts Safaris website or come and join us!

Little Owl

 

I am finishing up my notes and exercises for the on-line linocutting course I have been teaching and one of the things I wanted to do was create a fabric steel book ( sample book) Trouble is a lot of the linocuts I created were all different sizes , so finding the right sized page to fit those sizes on was creating a bit of a headache- until this morning. I made an owl lino-cut for the course and decided I would make a Little Book of Owls. So this is one of the "samples" for the Little Book- transfer dyed and printed and stitched on lutradur.This little owl measures 5x 7 inches- large postcard size.

Have to go to Sydney tomorrow to meet Fiona from Creative Arts Safaris- we are putting together the dreamblocks for a trip to Syria in May next year and a Arts & Craft inpsired tour of England in August next year. Fiona will lead the tours and I will hopefully inspire you to be creative! .

Lino-cut Landscape

 

 

The first image is a drawing I made about 7 years ago of a sort of fantasy landscape, which I have always wanted to make into a quilt- but somehow never got around to it. But as I am teaching the on-line linocutting class ( and there are still 2 places for the course starting 14 August) I have been scouring my line drawings for making into lino-cuts as examples. I am really pleased with the way this landscape turned out- the line drawing really lent itself to being reinterpreted into lino.

And Nicole pointed out to me that The Jumeiux Cathedral post was in fact not Jumieux but Jumieges Abbey, which Victor Hugo considered the most beautiful ruin in France. The other photo is of a very picturesque village house in Jumieges..

Waterways:Colombo Creek

 

I finished the quilt in order to enter it into the Ozquilt art quilt thing- got everything ready and then saw the exhibition dates-the exhibition does not finish until 17 December, and by That stage we may already be overseas- and we certainly won't have a fixed address.The quilt measures 52 cms by 127 cms long and is whole cloth stitched silk. It is for sale if you are interested for $750 US.

The inspiration for this piece is waterways of my childhood. Colombo Creek was near the station ( large large farm) where we lived - and on hot summer evenings we would go down there and take a splash- the creek wasn't really that deep and the waters were black with tannin form the gumleaves. You had to be careful for snags ( submerged branches) and the leeches were always there so we always took salt with us.We also saw a snake taking a dip one day too- but somehow that didn't deter us- guess it must have been hot! I am an air sign but am also the water carrier and I am always drawn to rivers and creeks ( and way back when canals) much more so than the sea. I wonder what state Colombo Creek is in these days- does it still run?

Stitching , Stitching, Stitching

I have been stitching on my Colombo Creek piece- I am not sure that I will get it done for the Ozquilt call for entries- there is a long way to go still and the stitching is taking a long time. But it has given me food for thought for a series of work around the idea of creeaks and rivers and canals that I have known since being a small child. I am the water carrier, even if I am an air sign, and water is such an important part to our existence and we are so wasteful with it.

The seocnd image is a cd cover for an album entiled "Sea Sew" by Lisa Hannigan. Lisa is Irish and I saw her on Youtube after someone mentioned her youtube on a blog ( and I can't for the life of me remeber whose blog it was). I loved what I heard and saw- a clip in a pub in Dingle which I went to many moons ago- and have been on the lookout for the cd since. My daughter found it in Sydney on the weekend and bought it for me- and it's wonderful- it is kind of jazz, folk and celtic- and the lyrics are wonderful . The cover is knitted and stitched made by Lisa and her sister and the lyrics and acknowledgements have been stitched on irish linen!!!

Thanks for the commisses about having to move- I am actually feeling rather sanguine about it-the house has allowed me to come to some sort of peace and for that I am grateful- it is good that it is transitory in a sense, because now I can move on to new dreams and places. And I will!.

Something I am working on

 

I have been working on a piece of charcoal coloured silk. I wasn't expecting to be working on it at all- but suddenly an idea arrived that I just had to do- fortunately I had just the piece of grey silk that I had dyed ages ago- I am thinking of the dark dark coloured waters of the creeks in summertime out the back of Jerilderie- and the dry dusty summers ..... It might be a companion to my flag piece.

I had some bad news the other day- we had hoped to stay in this house until January when we go to France- but unfortunately the landlord wants his house back as soon as possible after our lease expires- I think they will let us stay until my eldest daughter has finished exams mid November, but then we have two months of limbo. I am thinking hard about what I will do.All our furniture has to go into storage- lots of packing up to do! I also want to put my block of land on the market.

I haven't organised any workshops for January in Europe- but if we go earlier I do need to be earning money as we need to organise a car and various other things, and I haven't sold much work at all this year. I have been lucky that I had the books.

However we have found a home for our cat- so that is one worry out of the way, and she knows one of the people already- so that is even better.

Those of you who expressed intereste in the on-line linocutting course and left comments- please email me through my profile ..

More Linocutting

I reproduce this image with the permission of:
The Sion Tapestry
Reproduced with the permission of Historisches Museum Basel - Inv.-No. 1897.48.

I have been working hard on my lino-cutting course- trying to make as many examples as I can to illustrate what I have written. The notes are starting to turn into a book at the rate I am going- who knows I may make it into a book!. There is still a couple of places available in my next course starting on 14 August if anyone is interested. Course price is $30US and comprises of three lessons delivered in two weekly intervals. The first group have made some wonderful work already, and their enthusiasm is very infectious! Thank you!
Some of the work can bee seen at the Jolly Good Yarn Blog and at Robbie's Pawprint blog

I did however want to share the Sion textile with my blog readers. Most of you have probably never heard of this textile but it is said to be the oldest European printed textile and was found at Sion in Switzerland, though it is believed dto have been made in Venice. it is a large fragement measuring about 2 metres and this small section shows a few of the blocks that were printed-the piece is two coloured and the imagery represents the Eoedipus cycle. It dates from the second half of the Fourteetnth century. It is now housed at the Historical Museum in Basel but sadly won't be on display this year or in 2010- I asked! I found it in a book I purchased some time ago called the Origins of European Printmaking.I have given a link to Book Depository Co- they are a British company who supply books worldwide and the shipping is free!! I have never had a delivery take longer than 7 days- so am a very happy customer.

Jumieux Cathedral

 

 

I have been working on making lots of lino-cuts and this one is inspired by Jumeiux Cathedral in Normandy. It is said that William the Conqueror set out from Jumieux Cathedral on his quest to invade England. Anyway it is a most delightful ruin in a delightful little village. We took a lot of photos as I am especially fond of arches and arches framed within arches. The intention has been to make a quilt inspired by the rui but for now a linocut will have to do!

And I am now taking bookings for my next lino-cut course which will start on August 14 which is a friday. The course will consist of three fortnightly sessions looking at linocutting and developing your own imagery. The cost is $30 US for the three sessions. If you are on my waiting list I shall be in touch with you soon.

Sundayitis

Bleak horrid weather outside- but the rain is needed and I slowly see dams that dried out last summer filling up again slowly.

I have been doodling in my journal , playing around with lines for linocutting. The flowers are inspired by lace, and the face by an image of Mary from the St Serge Convent in Maloula by Michel of Crete ( 1813). I love the detail of ornamentation on the icon image.

Finished!

 

I have been quiet- life has gotten busy and I have been desperately trying to finish my quilt so that I can send the entry to EPM Concours. The photo is of a snippet of the quilt- can't really show you the whole- but I did use the three colours of the flag- just changed them into a much nicer red and blue!

We have also started our on-line lino cutting course and that has been fun.Developing the work for the course has been a good exercise- it has really pushed me to look hard at design, which is not a bad thing!I will definitely be doing another on-line course starting sometime in August- I already have a waiting list.

And on another note- Fiona Wright from Creative Art Safari's and I have been working/dreaming on a tour we will do in August 2010 of England and Belgium inspired by the Arts & Craft Movement. The design elements of the movement fit in nicely with the lino-cutting work I am doing) So I am also looking at the philosophy underlying the movement- revisiting John Ruskin ( whose work I so briefly encountered when doing my masters)I love researching things- it fulfills the intellectual side of doing.

Cold Weather

 

The image is of some work I have been preparing for my on-line lino-cutting course.The spiral block has been done on a speedball block and though the edges looked rough on the cuts, it printed cleanly, which surprised me. Can you see the cutting mistakes I made?It is taking a lot of time cutting the blocks demonstrating various aspects of lino-cutting- and despite the fact that there are books out ther eon lino-cutting , there is very little that is design oriented. There are some that show the work of artists utilising the medium , and though they are wonderful , the images can be rather daunting for someone starting out. I look at some of the images and think how on earth did they do that? Was surprised that dremel tools and routers and power tools are used ( I am not sure why I was surprised by this- just had not thought of it I suppose)

However I am enjoying the directions the cutting is pushing me in with this concentrated effort at creating blocks. Now to make a book with worthy content... I mean a book with images- a hand made book.