I haven't fallen off the planet but the power supply to my computer did and I was left computerless for five days as the necessary repairs were carried out. This put a considerable dent in the week but perhaps it was for the best as last week the contract arrived for the publication of Lovely lutradur written by Marion Barnett and myself in French. We had discussed it eons ago with Editions de Saxe and as we had heard nothing I had assumed that maybe they were no longer interested. Wrong..... but alas I had sold some of the work we photographed for the cd and I could no longer track it all down. And of course the publishers want to take their own phtographs. So I had to recreate quite a few of the smaller pieces. I decided as long as the subject matter was similar I didn't think it mattered it the work wasn't exactly the same.
So I sewed and sewed to get everything ready for the courier by Thursday afternoon. Thankfully my machine behaved, the twelve weight threads that I am trialing for Aurifil proved to be a godsend ( these are brilliant for doing satin stitch binding and quilting- I hope they do decide to go ahead with producing the threads), and surprisingly some of the pieces turned out better than those I did first time around. I don't really revisit work but I think the little stone angels piece and the boabab tree are better the second time around. The fabric I lay behind the printed tree on the lutradur proved to be particularly effective for creating interesting texture.
A Change in the Weather is an exhibition curated by Clare Smith looking at the issue of climate change. Clare's husband is a climate change scientist. The exhibition is on display at Minerva Gallery in Wellington, and will move to the Cloakroom Gallery in Queenstown for July.
These two quilts are by Ronnie Martin and JennyBowker.
These two quilts are by Sue Wademan and Gloria Loughman.
Alison Schwabe , Margery Goodall and Sue Wood also have pieces in the exhibition.
Here are the artists statements which also includes quilt prices for Minerva Gallery- if you are interested in purchasing a piece please contact Minerva Gallery direct
Statements - A Change in the Weather
MAELSTROM - Alison Schwabe
$2000
My design was developed around the cartographic symbol for cyclones/hurricanes. The dark green base colour represents The Earth. The swirl of coloured inserts represents the variety/maelstrom of scientific data and expert opinions on changing climatic phenomena, and the highly charged emotional and political atmosphere surrounding the facts and the measures needing to be implemented to ensure the survival of humanity at this critical time in the planet's history. The hand quilted grid is red, a colour associated with danger.
Acid Rain - Gloria Loughman
NZ$1800
Burning fossil fuels, coal fired generators, and smelting furnaces produce pollutants that react with moisture in the atmosphere to become acid rain. This can have catastrophic effects on the environment, killing our forests and polluting our rivers. Using alternative energy sources such as wind, geothermal and solar will help reduce this appalling situation.
Background composed of fused and stitched rectangles. Trees machine appliquéd. Mainly hand dyed and painted cotton fabrics.
Changing Tides - Ronnie Martin
$1200
Historically many of the settlement areas of our country have been on coastal areas. This early trend has continued and now many of our cities and large towns are based in the very places which are most likely to be affected by rising water levels. I am reminded of the children's bible song about the wise man building his house upon the rockŠwhere should the wise man go now?
This piece uses both hand painted and commercial fabrics in a naïve style and simple colour way to reflect the continuing Polyanna - like attitude we have to what is really happening around us.
Wendy Lugg - Mourning Cloth
NZ $1,900
Modern civilisation has made its mark on the earth, resulting in vandalism far worse than these muddy handprints photographed on the wall of a dilapidated house. It seems unlikely that the various current attempts at makeshift repairs will be sufficient to halt the disintegration of the fabric of our world.
Margery Goodall - Watching the Weather: views # 9-12
NZ $1100 (group), individual units $NZ 300 each
STATEMENT: "The beauty of the landscape in all its moods belies the underlying menace of these changing weather patterns."
View # 9 - What price a perfect day?
View # 10 - Dust storm
View # 11 - Wild fire
View # 12 - Flood watch
Purchased printed fabrics, textile inks
Machine stitch, ink painting and over-drawing on already printed fabrics
Jenny Bowker - Hot Water - Dead Sea
Aus $ 1600
At the waters of the sea increase in temperature the sea will become
more acid. Corals and molluscs will be unable to form shells and the
reefs will die. For a while at least, coelenterates like jelly fish
will fill the seas.
Extreme conditions is the public face of climate change. When 7 February 2009 dawned we knew the forecast was for 47 degrees celsius, hot northerly gusting winds, a blustery south westerly change - fire danger extreme. The temperature did soar to 47 degrees celsius ( the hottest temperature in this state in white recorded history) the hot notherly wind blasted dust into the air and the southwesterly change came with mini tornadoes that unleashed branches as big as trees into the air and with only minor temperature change.It was the most frightening day I have experienced and the devastation heartbreaking. Whole towns, whole families, all gone. The fire index was 6- a never before seen index figure , it was three times higher than Ash Wednesday. The drought conditions of the last 10 years, the dried out dead fuel and rising temperatures have all contributed to a day that will continue to impact for generations.
Clare Plug - Antarctica Series: Ice Crack 6
$1200
Artist Statement:
Sea ice is a dominant feature on the Earth and much of this ice forms annually.
It effectively doubles the size of Antarctica each winter, acting as an insulating blanket, and then in early summer as a reflector of sunlight. This dynamic process means sea ice has a vital role in the balance of heat that maintains global temperatures within a comfortable range.
Scientists study this complex process as they race to understand the changes occurring in the Earth’s climate and weather systems.
Own discharge-dyed cotton fabric.
Whole cloth, machine quilted.
Cheryl Comfort - Unless
$1500
UNLESS someone like you
cares a whole awful lot
nothing is going to get better
It's not.
The Lorax
Dr Seuss
Unless we change
Unless we take responsibility
Unless it's a hoax
Unless I make a change
Unless we do it now
Sue Wood - 'The forgotten factor'.
Price: $1400
In the rural location where I live, fertile farming land shrinks under the onslaught of drought and fire. We debate the causes and we debate about what to do, but we don't talk any more about the impact of an exponentially increasing world population. How many people is too many?
Sue Wademan - 'Weather Patterns'
$1500
Our planet earth, as well as each of the other planets in our solar system, has warmed by about 1ƒF over the last 100 years and we call this global warming.
Why this is happening has sparked a huge debate. Some scientists think it is a natural occurrence, that over millions of years the cycle from hot to cold and back again has happened many times, but others think that it is the intervention of human endeavours which has put the planet in peril.
One thing's for sure, the climate shift has effected
'a change in the weather' & the 'weather patterns'.
My art quilt shows some of these patterns. The lines represent coastal inundation; the snowdrop shapes show the icicles in the atmosphere; the droplets of water denote how precious our water is on planet earth and the stitch lines indicate the heavy rain we seem to be having.
Irrigation - Clare Smith
$1500
As I flew over South Africa a few years ago I was surprised to see large polka dots across a dry dusty valley. It took a while for me to work out that those circles were caused by irrigation. If we don't make major efforts to reduce greenhouse gas emissions and the earth warms the predicted 2-4 C by the end of this century then parts of the earth will become drier and we will have to turn more and more to irrigation, but this causes problems too.
Salination of the soil due to irrigation is already a problem in parts of Australia. Irrigation of cotton crops in Russia has already led to the drying up of the Aral Sea, which was once the 4th largest lake in the World. Millions of people around the World already suffer from a lack of drinking water.
Hand dyed, monoprinted and screenprinted fabrics, commercially printed fabrics. Hand appliqué, machine quilting.
Clare Plug created a hand out detailing further information as well as some personal things that could be done to change the individuals carbon print on the planet. And I know some people don't believe in climate change as anything other than a natural progression that has occurred since the beginning of time but on the other hand the suggestions really beg the question- will it hurt for us to adopt any or all of these things? And in the long run I am guessing it will save you more money.
Overwhelmed? Not sure where to start? Here are some suggestions.
Quiltmakers all understand the principle of subdividing the big challenges – like making a quilt – into smaller, manageable & achievable steps. They make one quilt block/unit at a time and before they know it will have enough to assemble to make a whole quilt.
Even making seemingly small changes to your household routine can quickly add up to a significant reduction in greenhouse gas emissions over a year, and so reduce the size of your own Carbon Footprint. And your friends and family may well join in too!
#Grow something you can eat.
Eg. Sprouts in a jar, microgreens in a shallow tray, salad greens in a recycled container.
Or plant strawberries, or a lemon tree (lemons are useful for all sorts of thing!).
#Aim for one car-less or dryer-less or dishwasher-less day each week.
Use the bus, the washing line or the sink instead. Or Car Pool with a friend/colleague/clubmate.
#Visit your local Library to read the magazines; its very cosy, comfy & friendly there these days.
Or just borrow a book or DVD instead of buying them.
Forgo a newspaper & read it there or online instead.
#Have your car’s tyre pressures & tuning checked regularly, and unload that stuff you’re carting around everywhere in your boot, to improve your mileage/litre.
Or defrost the freezer more often, anything to make your ‘machines’ work more efficiently for you.
#Dig out that Crockpot from the cupboard & use it & your Microwave more for cooking in. They use a lot less electricity than your oven. While you are at it cook double quantity & save for tomorrow or cool & freeze for reheating another day.
#Look through your own patchwork fabric stash before shopping for more. Quiltmaking was traditionally a frugal craft; rediscover the joys of making something beautiful out of what you already have.
#Put on a jersey or thermal top & turn down the thermostat to 18’C.
#Make one night/week meat free. Farm animals generate gases that contribute to global warming.
#Switch something off – a light, an appliance on standby, or the oven 10 minutes early & use stored heat to finish the cooking.
#Everyone Recycles @ Home these days but what about @ Work? And let’s not forget the 2 other ‘R’s, Reduce and Reuse. Bring your own mug for the coffee machine and lunchbox (filled!) to the office.
#Make “Fridge Minestrone” or similar regularly, or at least rescue those assorted leftovers or paid-for veges before they die in there. Alternatively gradually save up all those dribs & drabs in a container in your freezer & make an unrepeatable “Mystery Soup” for a winter night’s Sunday Tea.
Where can you find out more Information?
On Growing food:
&NZ Gardener magazine (at the Library) & join up for their excellent free weekly e-newsletter.
&NZ’s own “Good” magazine is a very good place to start. Many other local magazines also have Green sections, supplements or feature articles offering useful info.
&Alison Holst’s microwave & crockpot cookbooks are full of practical ideas on how to use these appliances to their max.
The week started off with good intentions, but with Final year exams and folio delivery for my eldest daughter and the attendant running around of getting printing done, and mounting,a puptil free day Friday and a lightening visit from my mother and partner to deliver a chest of drawers I purchased off ebay some time ago ( to fit all my threads- it has been custom built for some other purpose but will do very nicely for my threads- when I purchased it I did not read the measurements properly and had no jope of fitting it in my car) my week just flew by the wayside. I absolutely have to work this weekend as I have to remake some pieces for the Lovely Lutradur book which is being published in French for release in September. I clear forgot that I have to have the pieces there by Monday ( they will be late). The only upside is the house is reasonably tidy because with being away so much in May things got a bit raggedy.
Yesterday we spent in Melbourne- searching for fabric for my elsdest daughter's formal dress at D'Italia, visiting Beautiful Silks , and Melbourne Etching Supplies both in Fitzroy and a quick visit to Victoria Market for some fresh produce and the day was gone! We also dropped into Readings bookstore in Hawthorn- to find a book on Gwen Harwood's collected poems for my daughters English Lit subject- yes they did hand out photocopies of the "to be" studied poems, but it is always good to read other poems in a poets life. The photo above is of some of the supplies I picked up at Melbourne Etching Supplies- I love all the tools asscoiated with printing- the little carving tools and the barens- and I also love journal books of all kinds- so decided to opt for a square one. I also picked up an invitation for an exhibition of Marco Luccio's work which is being shown at Steps Gallery in Carlton. I really like this artisrts work- his etchings of architectural structures- and the invitations are inviting indeed. I really wanted to go see his exhibition- but we were heading the wrong way- maybe I will go to his artists' talk on 21 June.
And the last photo- I have been mapping /recording the slow disintegration of a poppy pod ( I have shown photos before of this pod)- it has now become a skeleton with the rainy weather and is finally in a form where I feel I can maybe work with it.
Yes i do feel like a whirling dervish!!! ( this one I photographed at a photo exhibition of whirling dervishes at Khan al Pasha in Damascus in 2007 where he performed for the opening of the exhibition).
I am so surpised at the response to my on-line lino-cutting course from all over the world!! I have now closed bookings so that participant numbers are manageable! thank you so much for responding. In all likelihood I shall do another course later in the year. Back to my research- which has taken me to the medieval woodcut and a wonderful printed textile called the Sion Textile housed in Basel- for which I can't find any decent pictures in google ( though I do have a wonderful picture in a book entitled : Origins of European Printmaking which i can't reproduce for copyright reasons)
Printed on hand dyed Fabric- For Sale $7.50 US inclusive of postage.
Thank you to everyone who emailed me about the online lino-cutting course which I will start on friday 3 July. I will be emailing you in the next day or so. Life got a bit hectic with my daughters Visual design and Communications folio which has to be delivered next Tuesday requiring some extra running around.
For those who missed the information on my previous post here it is again: My on-line lino-cutting course will commence on Friday 3 July 2009. It will involve three lessons at fortnightly intervals, and will look not only at how to make a lino-cut, but also the importance of design and balance in creating a lino-cut and various means of using your lino-cut with fabric. We will also look at how other artists have used lino-cuts for inspiration .You will create a number of lino-cuts in the process as well as hand printed fabric and a small fabric "steel" ( or swatchbooks) as an example of the possibilities. The cost of the three sessions will be $ 30 US. I can invoice you via Paypal. or you can pay me by Paypal, or if you are in Australia I can be paid by cheque or direct debit. If you are interested please email me- follow the links on my profile. If you pay by June 19 you will go into the draw to win a package hand dyed fabric and threads.
I have been doing lots of research and playing around with ideas to workshop. The little person lino-cut I made today. I was going to use it in the workshop but it involved very complex and fine cutting which is not so easy if you have not done it before ( as it is I cut off two eyelashes.....) I decided that perhaps it was too difficult. The height of the little person is 28 cm by 18 cm wide. I guess they would make lovely little dolls especially with some hand stitched detailing. I was very much inspired to put in so much detail, by the work of a Lithuanian artist Vytautas Ignas- I love the complexity of his work even though his own inspiration is the folkart of his native land.
Anyway i have decided I will sell the little persons as individual prints. The price for each little person printed on hand dyed fabric is $7.50 US inclusive of postage. Just email me if you are interested!
The first image is some of the printing I did as a demonstration at the Textile Art Festival in Brisbane last weekend.
I spent yesterday printing my village lino-cut scene onto Evolon- which is another polyester non-woven product with an almost velvet like hand ( or chamois) I did fabric crayon rubbings of the lino-cut and then painted the transfer dye over the top- it gives quite an interesting effect. However I really feel this needs machine stitching and my machine is still getting fixed- and I can't see myself driving to pick it up until early next week.
The Textile Art Festival in Brisbane was really interesting- lots of good displays and lots of colour! Some of the stalls selling wool were very enticing but I restrained myself. I wish I could show photos but I forgot to take my camera.
My on-line lino-cutting course will commence on Friday 3 July 2009. It will involve three lessons at fortnightly intervals, and will look not only at how to make a lino-cut, but also the importance of design and balance in creating a lino-cut and various means of using your lino-cut with fabric. We will also look at how other artists have used lino-cuts for inspiration .You will create a number of lino-cuts in the process as well as hand printed fabric and a small fabric "steel" ( or swatchbooks) as an example of the possibilities. The cost of the three sessions will be $ 30 US. I can invoice you via Paypal. or you can pay me by Paypal, or if you are in Australia I can be paid by cheque or direct debit. If you are interested please email me- follow the links on my profile. If you pay by June 19 you will go into the draw to win a package hand dyed fabric and threads.
I have finished stitching the icon image. She is 1bout 70 cm long ( 27 inches) and about 20 cm wide ( 8 inches) Her garment is very heavily stitched with various threads. The unstitched image is of an icon I transferred onto Evolon- it will also be stitched. As the Evolon is not transparent the background fabric will not have much of a role to play. I am still debating whether to cut away the lutradur inside the red squares- I like that the colouring has become quite deep and rich and am wondering if I cut away whether that won't brighten the effect too much...
Have to go pack my bags for Brisbane on the morrow- I have to get up very early to get to the aiport on time.
It is almost winter and autumn is giving it's last leafy blast. The tree ferns however are unfurling fronds at a rate of knots. Most of the foliage was burnt in the extreme heat in early February and yet you would barely know from the amazing amount of fern frond growth since then. Even fern trees that to all intents and purposes looked dead when we arrived here are sending out tentative fronds into the world. And even the roses are having a last hoorah.
Don't forget if you are in Queensland to come by and say hello when I am at the Art Textile Festival in Birsbane. I shall be minding the My Place exhibition on the Friday and Sunday and will also be demonstrating some printing techniques and for a small cost you can have a go yourself.
Also I have had a new lot of books printed- 72 Ways and 72 More Ways- so if you are interested in purchasing just email me.
I am back from New Zealand- it really was a flying visit- managed to refrain myself from buying some of the wonderful books, Anne Scott has in Minerva Gallery in Cuba Street in Welllington, though several did nearly come home.... I finished my bushfire/Extreme conditions quilt- even did some more stitching on the aeroplane so that passed the time- and in the end it did come together. It willbe shown at Minerva Gallery along with the work of 10 others interpreting the theme Climate Change in June of this year.
But I have been straining at the bit to get working on some icon image ideas I have had. I always did want to include some icon imagery in my Carvanserai exhibition, because I encountered them quite readily whilst in Syria in the Christian churches , but also from places such a Sedanaya and Maloula. The icon images I encountered were definitely of a byzantine or orthodox influence- and I must admit that some fo the stitching I do is heavily influenced byt the richness of colours of byzantine and medieval tiling. So this little image shown here is a prototype- I wanted her to be modern at the same times as byzantine- in the end I think it looks as if the image has had botox . I used this round shape first to see what I had in mind would work but I can see many other shapes that I could work with less icon like but with the potential for stitching and decoration. Tha facial image is inspired by a medieval wood block print.
As usual I am rushing at the eleventh hour- have to catch the plane this morning for New Zealand where the quilt has to be delivered and I pick up the My Place quilts.- as I decided to stitch the writing panel to add more texture to the whole piece- this of course added almost two days work to the piece. I found the format challenging- 50 cm x 150 cm ( I know I have worked in long pieces before but they were entirely whole cloth and different considerations come into play). One of the topics that has been talked about in the last few days at the Royal Commission into the bush fires has been the "extreme conditions"- and it is what I wrote about in the written panel- the conditions had never been encountered before and extreme conditions like this are a sign that things are changing. And as I speak Queensland is again experiencing bad floods- the second time in seven months.
Thank you for the lovely comments about the machine stitched piece- I must admit it did whet my appetite to make some more pieces and it's very frustrating that the machine has decided to spit the dummy so to speak.
Anyway it has meant instead of going into diversion mode I have actually been stitching on my climate change piece and it's funny how the stitching is dictating the forms. I had not expected that the right hand side woud turn into such distinct contrasts- I am not sure what I was really thinking or planning for that matter- but once the stitching went in around the tie dyes the rest of the piece is coming together. I am working on the top right hand corner right now and that is turning out way differently then I had imagined when I burnt the holes in the fabric.
I have been sooo inspired by the books I purchased on the work of Alice Kettle- her stitching is phenomenal and the way she uses it to create an image is very inspirational. She does use an industrial machine but just looking at her work inspired me to try stitching really heavily. It has thrown the timing out on my machine which has always been dodgy ( backs of my work are rather imperfect) and is giving me reason to think I might just go and trade my machine in, because every time I set it to a heavy workload the timing flips out and it's not as if the provider of a service is close by. nor are they cheap.
Anyway this little piece measures about 5 inches by 7 and is entitled grief- I know black is usually assocated with grief but since I dreamt that a big black rock lifted out of my life earlier this year it doesn't have that colour any more- and I actually find I can express it perhaps visually- it's insiduous and creeps into all corners of your life and arrives as suddenly as it leaves at all kinds of time- but it has become a part of the fabric of who I am and in the spirit of that I tried to think of it as something lighter because it is part of my journey, and the big black rock lifting said to me don't get crushed. ( I also only had the cream colour thread- which is Aurifil and which again stood up to the challenge beautifully- you can't see the texture) . The orangey colour represents me- I have always thought of myself as earth kind of colours and I used Valdani variegated thread which added an interesting challenge in how to use it without losing the colours of the variegation- anyway I now have to entirely hand stitch my climate change quilt because my machine refuses to co-operate- bleghh
Work is progressing on my Climate Change quilt. The panel on the left is lutradur- which unfortunately has a sheen to it when photographed because of the flash, but which in the flesh has an almost felt like appearance. It has writing on it which I transferred like a journal page- recollecting my feelings of that day and some of the facts- the temperature, the conditions and the aftermath. It measure s50 cm by 150 cm long- quite challenging design wise.
I debated a lot with myself acknowledging the human toll- was it trite, was I treading on sacred ground? but in the end these people were the human toll for a tragedy which was far greater than any other we have seen in conditions that were far worse than any we have experienced before here in Victoria- to leave them out somehow denied that this very real tragedy speaks of the way we must change our lives- if only to honour them- so I chose even sided crosses as they appear through all cultures and religions. I had thought intitially when thinking about this quilt ( before the bushfires) to work with the theme - yes but does it hurt?, as some people seem to do so little until they are actually touched or impacted upon- so many of the things we can do actively will be good for all of us and even our personal budgets regardless of how we actually feel about climate change as a political issue. But since the fires the loss of human life and homes and pets and so many things- the answer can only be yes it does hurt- a lot- and res ipsa loquitur- we must change so that we can have some hope of avoiding tragedies on this scale in the future.
Yes I am in avoidance mode, but in the spirit of still calling it work I have made a video of my Caravansearai Exhibition entitled Caravanserai: A Travellers' Tale- showcasing the work and inspirations.
And I am not going to New Zealand next weekend ( I was getting ahead of myself) but the weekend after- which means I do have time to hand stitch my Climate Change quilt. I also have to do a brochure for the classes I teach as I intend to do some workshops in Gellibrand. I am also close to getting my on-line lino-cutting course eset up- hopefully for a start in June.
I have been pondering my quilt for the Climate Change exhibition to be held at Minerva Gallery, in Wellington in June- it's like I have almost forgotten how to work. I looked at lots of issues and even raised some of them in the blogging process but in the end I couldn't get the Black Saturday fires out of my mind. It was a totally devastating day on so many leveles ,but ultimately it also spoke of the very real changes we have experienced in our climate- it was the hottest day in our white recorded history- it was 47 degrees Celsius before the change came and when the change came it brought mini tornadoes with it- I have never seen tree branches as big as trees hurling in the air like matchsticks. The fire index was 6- three times higher than Ash Wednesday and higher than any other time since records have been kept. That alone says a great deal about what happened on that Saturday. The week prior we had experienced three consecutive days of 44 degrees celsius- also an event that has never occured in white recorded history in this part of Victoria. Yes some of the fires were lit, not all though, but no one was ever going to contain them on that day. So the quilt will be about fire and what i wrote about it in my journal. Anyway this is what I have pinned thus far-it will need lots of hand stitching I think- but do I have time??? I am going to New Zealand next Friday and it's supposed to be done by then.
My class at the Textile Art Festival in Brisbane is definitely going ahead. I will be teaching transfer printing and stitching ( ie working with lutradur)- there are still soem places if you are interested- just follow the link.
Yesterday these spools of rayon thread turned up from the Handweavers Studio in London- I use them for stitching in my travellers blanket.They are lovely to hand stitch with and are quite economical to buy- I just told them a range of colours and this is what turned up!
I tie dyed this piece of fabric for my climate change quilt- I am still sampling ideas and each sample is quite dark- maybe that is what is needed- more work to be done today!
These two books showcasing the work of Alice Kettle arrived in the post yesterday- I am so looking forward to having a good look at them once I get some work done on my climate change quilt!
I swapped these luscious threads for one of my small pieces whilst in Tasmania. They are hand dyed by Madhi Chadler and they come in a wonderful array of colours as you can see. Madhi sells the threads for $5 per skein or 10 skeins for $40 ( plus postage of course). Unfortunately she does not have a website but if you are iterested let me know and I shall pass any enquiries onto Madhi.
This was the wonderful view that greeted my mornings whilst I was teaching in Tasmania- the land in the far distance is Brunie Island- isn't it magical? I had a wonderful time teaching in Tasmania- a wonderful and varied group of people, I felt I learnt as much as what I taught and have come home brimming with some ideas for my climate change quilt on which I need to get cracking as I am going to New Zealand at the end of next week to pick up the My Place quilts. I also seem to have delusional thoughts that I want to do a lot of hand stitching on this quilt
Ohh and one thing I haven't mentioned before , but I am a firm believer in once you put information out there things follow- plans are well under way for the year we intend to spend in France in 2010. We shall be staying a small distance north of Montpellier- and if you are interested in organising any workshops in Europe whilst I am there please contact me. We will also be doing residential workshops at the placewhere I am staying, which has good studio facilities. So if you are at all interested in partaking of those please let me know and I would also appreciate some feedback on what you would like to learn or do in such workshops? And would any french person like to come and stay at my house- soon- my daughter really needs to practice her french for VCE???
