Monday, February 11, 2019

Maquili Rapan Hirik Weavers visit Boneca

We had a real treat last Saturday when the rapan hirik weavers walked the one and a half hours from Maquili  to Vila Mau-Meta to show the Boneca ladies and myself how they make the fibre for the weaving as well as the weaving of Rapan Hirik. The woven fabric is a form of tais but is woven with fibre from the rapan hirik palm. It makes a fairly coarse thread, but makes a fairly supply cloth. Rapan hirik was traditionally woven on Atauro Island until demand for it diminished with the availability of cheaper thread and synthetic materials , and cheap tais from the much larger Indonesian market. Fortunately there has been a bit of a revival happening in the weaving of the fabric due to Boneca de Atauro using the fabric for a number of things they make, like bags, wall hangings and pencil cases/wallets. And younger women are involved in the weaving of the rapan hirik as they see some economic viability in producing this most traditional of fibres and woven fabric.

I will share some photos of the process and I am very grateful to the Maquili ladies for allowing me to photograph the process and themselves in the making process ( we will also have some videos of the process at AQC in Melbourne in April)

The first part of the process is to sort the leaves from the Rapan Hirik palm and split them into individual fronds, ready for stripping down to the best fibre part of the leaf. This process was demonstrated by  Tereshina Lopes ( who also helped with the making of the fibre thread).


The next part of the process involves stripping the actual fronds as not all of the frond is suitable for making the thread.  This process was demonstrated  Ermilinda Freitas. If you look closely you will see the bottom part of her leg  has been wrapped with some cloth with a frond strapped to it as well. This acts as base for stripping the fronds ( at first I though  Ermilinda had a wound on her leg and wondered whether this was a traditional wound dressing, however I soon discovered otherwise)


The next photograph shows Adelia Saldalha shredding the fibre into thread thickness with the help of Ermilinda ( the fibres are joined by a barely discernable knot and certainly not a knot you can see in the woven  cloth)


The next photograph shows Luisa Ellu Setting up the warp on the back loom, which was made by placing spikes in the ground. The process of creating the warp took all morning to make roughly 1.25-1.5 metres of fabric.


Then it was onto weaving of which only a small amount could be done because the rain decided to arrive. It is the wet season at present so when the rain comes if buckets down and everything has to be packed away.


The lady on the right is Herminia de Costa, who wound the thread into balls of thread to facilitate the weaving process and also helped out with other tasks in setting up the back loom.

I am just amazed with how little  these women can create such wonderful cloth  and  it is an ode to the creativity of the human and women really. We had to have a group photo at the end of a wonderful day and  of course we had to have a little rungu ranga in the photo, because everyone needs a little craziness as part of their creative day! 
    
                            


Fund Raising Progress: I am still fundraising for the  two airfares  ( and insurance)  but thought I would update you as to how the fundraising has gone so far and am extremely grateful that we have reached the point of almost funding one airfare. Thank you for helping us reach this point!

 I hope we can reach a sum of money for both airfares and insurance. I must admit I was not sure how this fundraising would eventuate but am so grateful for your support, as are the ladies at Boneca de Atauro. When I told them that we had almost reached the point of funding one airfare they decided that they would like to reward donations of $50 or more with a  small gift of their appreciation ( it will include a small piece purse made with rapan hirik and a small surprise)- which I will send once I return to Australia, because the postal service in East Timor is all but non-existent.

I will place the donation button again, and we appreciate any amount that you are willing to donate ( there is information about what we are fundraising for in my previous post)


Tuesday, February 05, 2019

Boneca de Atauro, Atauro Island, Timor Leste

I am back  at Boneca de Atauro for an artists residency, but  mostly to help  the ladies from Boneca to prepare for AQC in Melbourne in April. When I say an artists residency, this is very much a "community" based residency,  in that I am here to help upskill techniques, teach some new things and brainstorm some new products  that can be sold.

This group of women, who live on a relatively isolated island formed a co-operative 11 years ago  with help from Ester Peira Zuercher-Camponova and David Palazon, but also with a lot of their own initiative and determination. Atauro Island lies 25 kilometres off the coast of Dili, and it is only reachable by boat ( unless you happen to fly a single engined Cesna and are prepared for a rocky landing). The ferry takes 3.5 hours, and the Dragon boat and hour and a half. On this island which is r secluded from most of the tumult of the western world, making a living is incredibly difficult. Mostly life is subsistence and reliance on tourist dollars, which  don't always come ( for example February is wet season and there are very few visitors). The island is a paradise for divers, but they are busy diving not spending tourist dollars. So it's remarkable that the Boneca co-operative manages to employ 62 women , of all ages and all skills, to be able to earn a sustainable living on their island and to have set up a shop in Dili and to now venture to Australia to show off their work and to hopefully sell their work so they can attain their dream of setting up a school to learn languages and other skills. They have vision and passion and are by far the most egalitarian organisation I have ever encountered.

But we need help. I mentioned it in my last blog and will again. We are trying to fund raise two airfares and travel insurance for two of the ladies to come to Melbourne. We would like four ladies to come to Melbourne. We hope we have funding for two ladies already, but feel for them to get the full benefit of the experience we need to have four ladies  at AQC so they can also enjoy the event a little as well as show you what they do. It is also incredibly important to reinforce the english language skills that they have been studying at an adult school in Dili- they are determined to be the best they can. Also they have never been to an event like this. They have been to a Tourist gift fair at Macau, but never to a textile industry specific fair. I am sure they will be amazed by what they encounter at AQC- simply the quilts will be inspiration.  Looking on-line is not really an option ,as internet access is expensive comparatively and it is also 3G so on the slow side. Plus  you need to remember to charge your phone at night because the generator that powers the island only runs from 6pm until 6am- so no power during the day.

I was surprised to find that airfares from Dili to Melbourne have roughly increased by about 30-40% in the last year which is substantial- airfares are around $1000US flying with a reputable airline. This is a significant sum of money as you no doubt will have guessed. Already some of you have donated and I send you  heartfelt thanks on behalf of the Boneca ladies. All monies donated will be put towards their travel expenses. It has been suggested I do a Go Fund Me campaign, but to be perfectly honest, my head was not in the right place to set it up , given I wasn't sure how I would cope with radiotherapy ( which did not finish until 8 January). And also internet access is varied on the island. The other thing about such campaigns is the platform does take a small percentage of donations ( which is fair enough given they provide the platform) and you have to reach your target. So  we will try and do it this way and we would appreciate it of you could spare any amount of your choice, you simply click on the donate button.




And to show we have been doing things since I have arrived ( my goodness the heat and humidity have been challenging, but I think I am getting the hang of it. I don't know how the Boneca ladies do it every day)

I work with a small group of women with the idea that they will teach some of the other women what they learn. Jacinta da Costa worked with me previously was incredibly motivated and  an adept learner ( remember that exposure to anything art or textile at school is non-existent). She is also creating really wonderful linocuts  and senses how some of these will translate with the application of stitch. She is also a very careful printer,  a skill she has passed on to Agida in the photo below.

 I try to  get the women to use their environment as inspiration and am constantly surprised and delighted with how they interpret their world. I love how their linocuts reflects them. This isn't about creating perfection but creating from the heart- from their island from their lives.


The fabric in the image above is known as Rapan Hirik  and is only made on Atauro Island ( the tais on "mainland" Timor Leste are made from cotton fibre and lately also with syntehtic fibres). Until about 5 years ago there were only a few women on Atauro Island who made the rapan hirik fabric ( it is quite stiff but suprisingly pliable and can be stitched) in a village on the other side of the island .The island measures 25 km x 9km, and has a quite a big hill, well mountain smack bang in the middle of it. However  since the women at Boneca have been using the rapan hirik fibre to make bags and pencil satchels there has been more weaving going on. The fabric is woven on back looms.



Maturina Aruajo is the head designer at Boneca- and her vision is big. This is her latest creation- the colour you see ( apart from the turquoise) is all stitching- all done on a treadle!!!! And it measures at least 2 metres long by 1.8 metres wide.


Eva is working on some of the linocut printed fabrics with the linocuts the women made when I was here in 2017. Again this is a treadle machine that Eva is working on, and her stitching skill- free motion is amazing!


There are still a number of traditional houses on the Island ( I am staying in the town of Vila-Mau Meta) and this is one I encounter on my early morning walks.

Wednesday, January 23, 2019

A New Year

Wishing all of my readers a happy, healthy and safe 2019!

I am glad to say 2018 is behind me and that 2019 is offering things to look forward to, that sometimes seemed  too far away when I was undergoing treatment. But all things are improving. I even sold my block of land and shed in Gellibrand, and  we have spent the time since radiotherapy finished getting the block and shed ready for hand over. The weather was hot and thank goodness my daughters were there to help- I could not have done it on my own. The forecast fatigue after radiotherapy did set in, so there was only so much I could do. I was too late to organise removalists, so we had to hire a truck and paid two  men to come and help. But in the end it all got done to my great relief! It does mean I have to find another place to live once I come back from Europe in June and at the moment I am thinking Gippsland, around Morwell/Churchill as my budget is extremely modest. if anyone has any views about those areas would love to hear them! So goodbye Gellibrand- I will miss the birdsong, the pristine air and the environment, but it was also a place of broken and smashed dreams- and that I won't miss!

Goodbye shed and block!

So now it is back to work, I am slowly regaining energy and feeling able to tackle things again and I have some  lovely things to look forward to .

Next Monday I fly to Dili, East Timor, and then onto Atauro Island to help the Boneca de Atauro ladies prepare for AQC in Melbourne in mid April. Until this week ( and after moving all my things) I could not really envisage myself being there, but as energy has returned  I am so looking forward to it, and remembered to buy lino and  printing ink so they can print up fabric with their fabulous designs. I will also be starting a Kickstarter Fundraiser to help fund  airfares for these delightful women to show their abilities and goods in the very near future. However if you feel inclined to contribute to their airfares ( and travel insurance) let me know. I am hoping we can bring three women ,maybe four to  show what they do in April at AQC. Their story is pretty uplifting and I am in awe of what they have managed to achieve on a very isolated  island  25  kms off shore from Dili. They do everything they do on treadle machines ( there is no power during the day) and through sheer hard work in less than ideal  conditions- but they make up for that with spirit and laughter and song- they are amazing! Any support would be greatly appreciated!





Then after three weeks with the Boneca ladies I will come back to Australia for a week and then head off to Europe for teaching in Belgium, and then onto ChARTres Croisement des Arts to exhibit some of my work again. Always  happy and delighted to be a part of this multi arts event in Chartres and I feel fortunate to call Chartres home for 2 weeks of the year. There are many different arts on display as well as music and lectures- it truly is a multi arts affair!

I have been busy preparing samples, as of course it is impossible to teach the whole travellers blanket style of stitching and story telling in a day long class, so I have tried to show some variations for circles  in the sample piece in the photo- the effects of light and dark thread, the texture of the stitches, and the effect of embroidery as opposed to  applique and embroidery , the use of patterned and unpatterned fabric.


I must admit I love circles and I am always surprised at how different they look depending on thread, stitches and pattern, and then there is the whole thing of adding a story to the whole.

And I did start working in a hand made paper journal that I got last year from the Stitching Project, but unfortunately moving all my belongings has impeded progress. But the idea was to stitch something, anything really and then see what thoughts it brought forth, or visa versa, sometimes you have thoughts but are uncertain how to express them and then you just start stitching and see what happens. I must admit it combines my love of words and mark making and stitching and I can see myself doing more of this.