Forest Fabric #1 for sale $40.00 US inclusive of postage
Forest Fabric #2 for sale $US 40.00 inclusive of postage
Forest Fabric #3 for sale $40 US inclusive of postage
Palms of Palmyra- stitching
I actually took the dive and did some dyeing the other day. I was a little apprehensive about dyeing as we are on tank rain water here as opposed to the town water I used to be on ( we can also pump from the creek- but I only do that for the vegetable garden). But i need not have worried- the results were good and these forest fabrics remind me of the early morning light shining through trees. I can see lots of light/misty coloured stitching on these.
I have been stitching on my Palms of Palmyra piece- it will take quite some time as it is a big piece.When the weather is good it is hard to sit still for that long- but my penchant for wandering outside may be a little curbed- sigh... Yesterday I went into the vegie patch to tie up one of the tomato plants . I was in my thongs ( flip flops for non-Aussies) and as I stepped I saw the tail of something shiny disappear into the foliage of the next garden bed. At first I thought it was a lizard but no it crossed the path and it was a sleek four foot long brown snake. I managed to scream and stand quaking in my thongs as it disappeared into the tree fern grove. I am absolutely petrified of snakes- fortunately browns are not as aggressive as tiger snakes ( which is the most commonly seen snake here) but they are more poisonous- and I almost stood on one. Needless to say I shall be buying a pair of gum boots today. However I did surprise myself in that I managed to scream- that might not seem to be the best response- but my worst nightmare ( and I do have these nightmares sometimes) is a snake encounter- and I always am mute, unable to scream. Anyway I have decided to use the sprinkler to water the vegies rather than the hose as the tap is not far from the house. The longish grass will also be coming down at a rate of knots!
Rebecca asked how much my Tears piece was- it is $225 US inclusive of postage- a lot of hand stitching in that one.
And Sue offered to get some domette or bump for me- many thanks! I shallof course pay you for it or send something in exchange. I am pretty certain it is called bump and I would love to have two metres of it if at all possible.
I was really pleased to receive a copy of the latest issue of Magic Patch in which they featured my View From the Studio quilt, plus I explained how to go about making a quilt like this. I like how they took the photograph and it is really not that easy to determine where the real foliage ends and where the quilt begins. We did lots of impromptu photographs when I was in St Marie aux Mines for some of the "how to" photos. I borrowed a new Designer machine from Husqvarna France, Magic Patch coralled in their photographer, and I did the sewing ( just as well I had fabric with me)- and people came from far and wide to watch.It was a lot of fun!
The other photo is of a poppy seed pod in my garden- they are so interesting and arresting- kind of a bit mishapen like pomegranates are.
I haven't any work to show as I have been stitching stitching and stitching on my Palmyra Palms piece- it needs a lot of stitching. As i have sat stitching I pondered on the fact that my ode to Syria- Carvanserai- really does contain a lot of hand stitched pieces and was further spurred on by Idaho Beauty's comments : I am continually impressed by what appears to be your fearlessness regarding stitch. It is what sets your work apart and whether it is done by hand or by machine, it is always rich, fascinating and exquisite
Firstly thank you for that very kind comment, however a textile piece for me is usually not complete without the stitching - it is the "extra" dimension and allows me to add my own mark making personal touch. I think the reason why I have used so much hand stitch in the Carvanaserai work has to do with authenticity- so much of what i saw was made by hand in time honoured patterns and traditions, I wanted to relate to the process of the work , though mine is quite different- but I did want to be in tune with the process, with the feeling that went into creating the original pieces.
And lo the stitching has brought another thought racing into my head- Zenobia wants, needs and must have, a travellers blanket- you see she saw the travellers blanket at a banquet she held in his honour to recount his travels- she immediately saw how she could tell the world of her accomplishments and her tavels and battles- she has commanded colour and I am the slave set with the task :-)
However I do need something- I need that curtaining flannel for the batting( it has a special name which I have forgotten). The last lot I bought in England and it was such lovely thick flannel and sews like a dream and has such gorgeous drape. I dyed it but I have none left. If anyone out there prepared to send me some in exchange for something or I can pay...please please please???
I want to wish all of my readers a Happy Safe and Creative 2009! Thank you for reading my blog ,leaving your comments and thoughts and just being my friends! Thank you for your support of my books and cd's and my fabric and even the occasional quilt purchase.
I am afraid 2008 has ended with another sting in the tail- the new old car that I bought as back up is having starter motor problems. So here is hoping it will get to town so I can get it fixed.
I have had several people email me and ask whether 72 More Ways book was a second edition of my first book 72 Ways. It isn't - it is an entirely new book with entirely new ideas for machine quilting/stitching.
I have been stitching and stitching on my tears/lozenge piece as I was determined to finish it before the new year started so I can start on something fresh for 2009.It's all done now and it's for sale if anyone is interested .It measures 18 inches by 12 inches ( 45 cm by 30 cm) and is entirely stiched by hand.
Night Village 100 cm wide x 120 cm long
For Sale $900 US
hand painted and dyed cotton, machine stitching
Close to Damascus many villages dot the hilly landscape, the minartes towering above the villages.
Small Essay
Pattern and Decoration
Last night I sat and played with a photo I had taken in Venice on my recent travels which I had printed onto water colour paper. The image cried out for something more and as I have been struggling with doing anything creative I decided I would “decorate” the photo. Now the word “decorate” is a loaded word, but has been playing in my mind since we have moved and as I am decorating my environment to reflect my interests and things I have collected over the past. The other thought that played in my mind is why hundreds of thousands of people flock to Venice every year- it is a special place, but what makes it so special? Is it the canals, the narrow streets, the lack of cars, the lack of the “modern”? It is, if anything, a highly decorative city- as you walk around it you are charmed by ornately carved balconies,iron filigree, arched doorways- in fact much of Venice is “decorated”. Part of what has been lacking in my process to work, is to let my mind wander around what it is I am creating- my mind has been elsewhere (preoccupied with personal things) and so I made a decision. I would track the way I normally do when I am not preoccupied, which is to research and read and ponder the ideas I want to explore, and let that inform any work I may create. Keeping a journal is part of this process- and I seem to have not done anything journal wise- or hardly anything since about May of this year. So step 1 is to resurrect my journal- doesn’t matter what, and then define key words.
So when I got up this morning the word floating around my head was Decorative Impulse- I googled it and lo it brought forth Pattern and Decoration and a marvelous catalogue (well the articles are very interesting even if the images are missing for copyright reasons):
Contributor Arthur C. Danto, John Perreault, Temma Balducci, Michael Botwinick
Published by The Hudson River Museum, 2007
ISBN 0943651352, 9780943651354
The catalogue does not seem to be available anywhere except as an unprintable pdf- arggghhh. I was particularly interested by the curator Anne Swartz ‘article Pattern & Decoration: An Ideal Vision of American Art which made some interesting points which resonated deeply with the way I think about how I create. I am well aware that my work is often decorative and whilst doing my masters became quite aware that my work was not strictly viewed as art or fine art (whatever those terms may mean). That was fine by my- I like making decorative things, but they are not only just decorative – there is always a discourse or narrative of some sort- it is there if you want to see it, and it is an attempt to distil experience with visual expression- I have also been fortunate to have been exposed to non-western art and know that this has had a decided influence on the way I express myself. The Pattern and Decoration movement in America of the 1970’s was also influenced by other non-western art, particularly Islamic and Asian art largely by the exposure of some of the members of the group to the teaching and mentorship of Amy Goldin, as well as travel. As Joyce Kozloff, one of the main proponent artists of the P&D movement said “I meant the viewer to ‘read’ sequentially. This was my private metaphor for travel, paralleling the experience of walking through a bazaar or the streets of an unfamiliar city, taking in complex and variegated stimuli at unexpected intervals and rhythms”
And Amy Goldin herself said: “Decoration involves the maker in a relationship to the world around him that is much more intimate and practical than the specialized alienated world of professional art. Decoration doesn’t lend itself to artistic ego trips or scientific abstract thought. Instead of seeing yourself as the unacknowledged legislator of the world, you face the requirements of your own environment, the settings of your own life, and the feelings of the people around you. Your job is to clarify and heighten the impact of objects and occasions that already exist, that already have meaning”
So then I looked at each of the individual artists represented in the catalogue and found that few had any web presence and even fewer had images of their work as a body of work- a great pity. I am so used to being able to find so much on the net- and it is not about appropriation, it is about research- looking at how each of the artists has investigated their response to the idea of working with pattern and decoration.
What little I have found will not influence my work but what I did find was, how much I have worked in their mode of thinking without actually having being aware of the Pattern & Decoration movement as such- I was aware of the work of Miriam Schapiro - mostly because of her feminist stance and also with that of Joyce Kozloff for similar reasons and though I was aware that they had been involved in Pattern and Decoration it wasn’t that which had made me look at each of these women. That I work in a manner not dissimilar to Kozloff in what she is attempting to achieve- reading sequentially and a distillation of experience and sensation intrigued me ( all quotes from the afortementioned catalogue article by Anne Swartz)
I am distinctly uncomfortable with minimalist art and spaces- they seem to me to suggest a certain barrenness of soul and thought. Life is a rich experience with so many sensations, inspirations and rhythms: the challenge is how to interpret all those stimuli- pattern and decoration seems to offer a rich underlay with which to work and superimpose those stimuli. I like Goldin’s idea that the P&D artists are distinctly of this world and shaped by their exposure to the things of this world not to some idealized sublime (the Kant formulation has always bothered me as the man never stepped outside of his city and kept to a routine that was forbiddingly severe)- it certainly was in the back of my mind when I was creating the work for Caravanserai- it was influenced by my exposure tocarpets, textiles, ceramics, textsin my travels in the Middle East and Syria- I was not intending to appropriateany art of the region yet I wasinterested insharingthe impact that those travels had by the things I had encountered. So on that note I shall share a substantial portion of my Caravanserai exhibition in pictorial format:
Travellers Blanket 100cm x 120 cm long
Hand dyed cotton musling, hand stitched
SOLD
Ibn Battuta was a famous 13 th century traveller who travelled through the region before Marco Polo and recorded his adventures int eh written form. I like to think of this blanket as a cloth version of such memories- each fragment containing a memory of travels in a time when people did not have journals or pens.
Three panels 30 cm x 40 cm inspired by cross stitch of the region
Eye Idols of Tel Brak 90 cm wide x 140cm long
For Sale $1300US
Hand painted fabric, hand dyed fabric, foiling and machine stitching
This quilt is inspired by the eye idols found at the archeological dig at TelBrak- hundreds were found in the temple area, but no one knos what they were used for. Each one is different and so it si thought they may represent individual worshippers.
Pomegranates 110 cm wide x 110 cm long
Hand dyed cotton, hand painted and machine stitched
For Sale $1250 US
This pomegranate tree created in the tifaifai method is inspired by a roman mosaic I saw at the Museum in Alleppo. This is the positive interpretation.
The Kahn Assad al Pasha- Damascus Photo transfer with Inkaid, cross stitched by hand
30cm x 37 cm
For Sale $250US
Gilgameshs' Horse Blanket 50 cm wide x 140 cm long
Hand dyed silk and machine stitched
The sotry of Gilgamesh is said to be the oldest written story, parts of it are missing, but it does detail a journey into darkness where Gilgamesh has to confront his gods. I think Gilgamesh needed a horse blanket to speed him on his journe
Layers 50 cm wide 140 cm long
SOLD
Inspired by the layers of history presented by Syria
Pomegranates- Small SOLD
Teapots and Rosewater Jug small- SOLD
Magic Carpet 90 cm wide x 120 cm long
Hand dyed cotton and machine Stitched
Fopr Sale $900 US
This quilt is inspired by the masrabeja windows of the region, the colours of a Syrian horse blanket I purchased in Damascus, and a hand printed indigo motif on a fragment of Roman cloth I encountered in the Museum in Damascus
All the Sweet Perfumes of Arabia On Exhibit in the US
Assurbanipal's Horse Blanket 50 cm wide x 140 cm long
Hand dyed silk , machine stitched.
For Sale $800US
In my studies on Syria I came across a picture of the Assyrian king Assurbanipal astride his horse carved in a stone relief( now in the British Museum) dating from the 8th century BC. The Assyrians prided themselves on riding without saddle and when you look at the carved stone relief you will see that there is a horseblanket on the kings horse- to whcich the sculptor has given remarkable detail- Is this the first depiction of a quilt? I have tried to refashion the horse blanket using the patterning as carved
I have been working away at the tears piece- 13 tears for 13 years- only one more tear to go. I don't seem to be able to set my mind to anything else much at the moment. Have taken up my journal again after a hiatus- just anything to get going again! However as I have been working I am starting to think these aren't tears any more but more like Christmas baubles- there is even a Christmas tree which wasn't intentional at all, but just happened. I think it is telling me something!
So on that note , however you celebrate this time of year, whatever your beliefs, I wish one and all the best of times and let's hope that the world in 2009 will be a different better place for all of us who inhabit it- let each of us acquire a new green habit, no matter how little, it will all help. My intent is to make sure I use those green bags when I go shopping instead of forgetting them in the laundry!
In my various travels in the Middle East I have bought textile inspired things or been given them. The wall hanging is from the tentmakers in Cairo Egypt, and I liked this particular man's work because of the embroidery touches on the birds- none of the other tent makers seemed to do this. I have also bought various boxes- some in Syria and some cedar ones in Morocco many years ago- and the little cross stitch blocks were a gift from one of my students from Oman where she had bought them in the market place. So this is my little middle eastern inspired corner.
I have been thinking about the good things that have happened in this last year, it has been all too easy to get lost in the bad things, and also thinking about plans for the next couple of years.
So in the good things category are:
We have found a house to live in- which suits us better than our last one. My friend Audrey had a healthy lovely baby boy, Eli It is possible to have a vegie patch here- yay! We have enjoyed decorating our new house I had a solo exhibition in Munich at Textil und Kunst I was also invited to exhibit in Turnhout Belgium in a lovely old hofkje I was invited by Susan Lenz to be part of an invitational international exhibition in the US which opens in January (details below) I was invited to exhibit my Carvanserai exhibition at AQC in Melbourne in late Feb. I co-ordinated the Australian part of the My Place exhibition which also be shown at AQC I co-wrote a book with Marion Barnett entitled Lovely Lutradur I wrote Seventy Two MORE Ways not to Stipple or Meander.
We spent a substantial part of yesterday clearing away the long long grass on my block and cleaning up branches and bits of wood that were lying around everywhere. We have still more clearing to do, but I want to sell the block. So photo one shows the view towards the back fo the block, photo two from around the middle of the block beside my shed/studio. The block is an acre and a quarter with town water and electricity paid for ( when I can find the letter) There are established fruit trees, mostly varieties of apple, a hazelnut grove, a dam and some olive trees plus reisling grape vines. I am anxious to put it on the market as another block of the same size sold last week for a substantial price- and we get an influx of visitors over summer. There is not much residential land availabel in the Otways as most land has conservation zoning. And of course it has a lined shed with wood heater! So here is hoping it will sell.
Then this morning we hopped in the car- turned the key - and apart from the fact the starter motor was working- nothing. Argghhh My little Nissan needs a lot of work done to it, cv joints creak loudly, clutch is very short and then this- it seems it is the fuel pump! Just what you need before Christmas when you live 22 kms out of town. Fortunately I had bought a friends car last week ( and it needs some work done also, the muffler is loud loud loud) as a back-up car and to eventually give to my eldest daughter when she turns 18- so thank goodness for that.But it needed a new battery before we could get it going as it had been sitting for about 8 weeks.
So the long and the short of it is - we got very little textile done these last two days. Hope my block sells!
The printed lozenge/tear drop shape was from quite a number of years ago , for a quilt I made that got into Quilt 2001. I had created a gocco screen ( similar to thermofax) and printed the bright orange fabric. I found some left over ones the other day and of course reminded myself that I love that tear drop/lozenge shape and have played around with ideas for it for quite some time. I liked what happened when i put the butter yellow french knots onto the black dots in the design. I must find the screen i made for this as I want to make some more of these- I like how textural it feels under my hand. I feel like I am finding myself again.
And Miles commented in regard to my previous post: I just don't see how you make any kind of money at $35 for a beautiful piece of work- unless you are a machine able to crank them out a dozen/hour! Amazing.
Thank you Miles for that comment! I find it difficult to price things. As I have always supported my family from my art/teaching and writing I need to keep things turning over and I would like to put bigger prices on things- on the other hand my price is based on an hourly rate. And because I am now a single parent in rented accommodation I am very mindful and perhaps even a little anxious that I need to keep things ticking along, otherwise I will need to partially abandon what I am doing and go back to regular employment whilst I work out what to do with my piece of land and whether I can make, living in France, in 2010 a reality for at least a year. I would love to hear some views as to how other artists price things. It sometimes feels as if you need to reinvent the wheel each time. Thoughts anyone?
Finally did some machine sewing today after I found a whole pile of pomegranates which I had previously printed and cut out.It really is a bit of a nightmare having things everywhere, but I almost feel as if setting it all up properly would be not working- but in the long run a bit of organisation wouldn't hurt. These pomegranates measure approximately 8 inches square and are for sale for $35 US inclusive of postage.
Someone asked what a Wonga was- well it's just a day at my house and given its called Wonga Flats I thought I would call the day a Wonga day- play days really.
Today was my "Wonga" Day- but I spent it alone- I did not expect anyone to turn up really so shortly before Christmas , but I shall be having another one Sunday 11 January- you can join me in the flesh, by visiting my house or via blogland. I must admit to being glad in the end that no one turned up, though what I thought would be a dreary day ended up being quite enjoyable. As my other two kids spend this weekend with their father I am home alone( not something that has happened often when I have been home- but is often true when I travel)
I decided early on that I would do all things french today- music movies, food and that I would work on a small piece in tear drop shapes. The reason for chosing a shape to work with was inspired by Jude Hill from Spirit Cloth and her post about working with dots or circles. I have to admit being inordinately fond of dots or circles myself and was very tempted to work with dots also but then a thought struck me, if I am going at this with full intent why not try and work away some of my tears and grief of the last two years before the new year, so that I can start fresh. So with that in mind I decided to use the tear drop shape- of course anything to do with the subject of mother/ daughter has to have a pomegranate in it and the little face was one I drew the day after my daughter left home all that time ago. I was expecting this to be a tearful exercise but instead find myself strangely calm and even hopeful- as if the physical act of actually acknowledging what is gnawing away at me is releasing some of the negative energy.
In the all things French category I watched Amelie, what a delightful movie that is, and then Les Choristes ( if you have a penchant for choir music this is a wonderful uplifiting story of a teacher who shares his music with boys in a boys home/school for misfits and creates a choir) and then Manon des Sources the story of Jean De Florette's daughters' revenge for the death of her father- and what revenge it is , and then the final bitter twist at the end. Magnifique! Lunch was a french salad with home made french dressing ( I hate hate hate bottled dressings , and must admit to being really annoyed when a restaurant or cafe serves bottled dressing- it's so easy to make a good dressing and changes the salad) and feta ( I know not quite french but...) and lardons( well not quite as you can't get the nice bacon you get in France, here) .Oh and for the music I have been listening to Renan Luce- I like that I can understand a lot of the words. The link I have given is to a Youtube video of Les Voisines and if you are a Hitchcock fan you will enjoy this take on a Jimmy Stewart classic!
And last but not least , I found this little Japanese prayer book amongst my stuff the other day- it dates from the edo era I believe and is a Bhuddist prayer book- the pages are all hand written ( and they made many of these prayer books) with little red dots here and there marked by the monk who had the book obviously providing accent to important passages and all written on rice paper and hand bound- it's a little treasure in it's own right but what I particularly like about this prayer book is that it has holes in the pages created by some insect /worm many years ago ( I found some casings amongst the pages when I bought it). Anyway the thing that rather appeals to me, is that a prayer book should have holy pages!
This is a piece of hand dyed shiboried muslin ( the lovely lightweight muslin that I used for the Travellers' Blanket) It measures 1 metre by 1 .2 metres and is for sale for $35 US inclusive of postage.
This is a small piece I found yesterday when we emptied out the tent where a lot of my things had been stored to make way for the slab in the shed etc etc. Only one item was water damged thank goodness. It took quite some work to get it all into the shed. We have decided that my little car , a Nissan Micra, should be renamed the Tardus! Anyway this is one of the smaller Hellfire pieces I used to make- this one is not yet quilted, I think I may do so tomorrow.
Thank you one and all for your very thoughtful replies to my post yesterday- sometimes the writing and reading the responses is a big help in itself- to know that other people have had this dreadful experience , to know how they have dealt with it, and to try and find the best in it, lightened my mood somewhat ( still no work produced however- spent most of the day preparing parcels for shipping on my new book)
And don't forget my new book is available- see the side bar for details of cost etc. Books I shipped last Friday to North America have already arrived there- which is good to know!
