So since being back from Chartres I have had the nose to the grindstone. My work which I will show at Quilts en Beaujolais will be inspired by nature- a bit of a return to a theme I have explored in the past but haven't really done much about in the past few years except for Coqueclicots. Quilts en Beaujolais will be on at Villefranche sur Saone from 13- 16 April. I love this event- there is always great quilts with lots of interesting work by different international artists and there is also great cameraderie amongst the artists which is always fun!
I made a pomegranate Tifaifai (the positive cut out) for Chartres for the theme Confiance. I have now finished the negative cut out. Both pieces are heavily quilted on a domestic sewing machine with Aurifil 28 weight Mako threads ( they are cotton and I love how they sit on the surface of the cloth)
I know I have posted the image of the positive tifafai before- but it's nice to see the difference between the positive cutout and the negative cut out. I am still undecided whether to also paint in some seeds on the pomegranates on the negative.
And then there have been banksia explorations ...
The first image is of fabric I hand painted in India last year during my residency at the Stitching Project, and then hand printed with the woodblock I had made through the Stitching Project.I must admit I struggled a bit with the colours of this , even though they are very Australian- I wanted very dense quilting to make the banksias pop out.So what you are seeing is the quilted piece and on the right the stitch work on the banksia pod itself.
Then there is the Transfer printed banksias I did- with a hand painted banksia pod and woodblock printed surround, again through the Stitching Project. The effect is quite different. I have another print from this transfer- in which the colours are much redder- can't wait to see what it will look like once stitched. Again this piece is stitched with Aurifil Make 28 weight thread. The weight of the thread gives me good lines especially as I tend to stitch the lines twice, sometimes three times.
I have been drawing and thinking about banksias since arriving here even though I had not produced much work until now. I really wanted to capture their weirdness in lots of different explorations. ( I intend to make a hand made book to accompany the exhibition to explain what I am on about- time permitting) So the drawing on the right was another idea- I had thought I might have to piece to get the effect that I wanted, but then a thought struck me-I like dyeing what if I could dye the effect I wanted? So the result is on the right. I fold dyed four different colours, though the outline colour is all the same dye colour to give uniformity. I am still undecided whether I will cut this piece into a banksia shape or just leave it as is. It is actually quite large for me.This really does look like mouths babbling for me. Can't wait to see what stitch will do to it. If I had pieced the shapes they would have been much more regular- and I wanted each "mouth" to be different.
I must admit Nesta my doggie companion has been a bit disgusted with me- we are still walking but when I sew I am tucked in a room inside the house and she has to entertain herself. She likes it much better when I go down to the atelier downstairs.
Spring has sprung here. Everywhere there is flowers and trees in blossom. Even the gutter on the little old stone shed looks like it has been purposely planted.I love the colours in the plant below- it just grows by the roadside.