So earlier this year I joined the Creative Camp organised by Creative Arts Safaris ( aka Fiona Wright) near Pushkar in India. I loved the encounters and I also explored a little how I might represent banksias with the aid of some Sujuni embroidery. I have always loved indigo but using my own wood stamp and mud printing before dyeing with indigo was like going to carnivale! I also had to buy an urgent and expensive visa as I had misread the instructions for getting an on-line visa which isn't so on-line. However it opened the door for returning to India, which I decided to do as I could not find any house sitting and it's too cold in Gellibrand to go and live in my shed ( plus it needs a few things done to it- would love some help come late October to get some things sorted out there so I can live there)
So back in India I am on a self directed residency and already Fiona and I ( we are both earlier risers) have generated a ton of ideas and also are hatching a collaboration that will hopefully result in some of our ideas reaching fruition and which we have called "#Where Things Change". We both have a passion for stitch, cloth, indigo , woodblock and getting colour onto fabric, but our approaches are a little different, determined both by the lives around us and the means by which we sustain ourselves.We will both be blogging about it as time goes on , on a regular basis and we have a few other surprises in store.
I spent a few days in Delhi on the way here, and on the first day after I arrived we went to Bagru to see Mr Satnaryan, who had cut some woodblock designs I had sent Fiona earlier. I was really delighted with the results ( unfortunately it has been too humid to do any real printing apart from trying out the stamps as it is the monsoon season)
The colour indigo is just so wonderful, so rustic but also so rich. The town of Bagru is one of the areas where indigo dyeing is practised and there has been a bit of a revival as the world starts to engage again with natural dyes and natural handlooms. The hand loom fabrics like Khadi and dhoti are not only brilliant to stitch with ( and I will talk about that more in my next blog post) but the colour is rich and dense- just wonderful. If anyone wants me to dye them some handloomed loosely shiboriedor folded cloth email me and we can discuss as we will be going back to Bagru before I leave in mid August.
So after the first days excitement I have been trying to fit into the busy and hectic schedule at the Stitching Project workshop whilst trying to get a bit of my own stitching done and trying to record our early morning sparks of ideas and collaborations.Fiona describes India as gentle anarchy, and I find this description to be pretty much like it is- it is also infectious and I love seeing things reduced down to elements- which is what has to happen for the workshop to function.
I promise to be a little more diligent in my blogging- there are so many things to tell you about, not only from encounters but also things happening in my own work. I am so happy I made the decision to return on many levels! And last a few impressions- a little backyard shrine to one of the many gods worshipped in Hindu religion- I don't know how they keep a track of them all, but gentle anarchy describes the gods as well, and modes of transport. Now if I was the wife I would be hanging on for dear life, but this lady sits casually and lightly as her husband negotiates pot holes and road undulations caused by the recent rains.
